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陪你看见丨一名法国留学生在石家庄的Chinamaxxing_我的网站

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    Visitors view ancient documents at Tianyige Museum. Photo: Courtesy of Tianyige Museum
Huang Gang is in his fifties. Every day, he sits before a computer screen at Tianyige Museum (Tianyige), flipping through ancient books - digitally.
As director of the information technology department at Tianyige Museum in Ningbo, East China's Zhejiang Province, home to Asia's oldest surviving private library and one of the world's three oldest remaining family-run libraries, his job title may seem far removed from old books. Yet his work centers on them: converting brittle, thread-bound antique volumes into searchable, zoomable digital files accessible on screen.
For years, Tianyige has carried out digitization in batches guided by its mission: rescue-oriented preservation, scholarly organization and public-oriented outreach. Its teams have scanned more than 3.4 million pages of ancient texts. The institution rolled out its Ancient‑Book Digital Service Platform back in 2009. By 2025, the platform had drawn over 4.6 million total visits.
To outsiders, this might look like a headlong rush into digitization. For Huang and his colleagues, it is delicate work balanced between fast‑evolving artificial intelligence models and the reverence owed to fragile paper relics. "Technology is a tool, ancient books are artifacts, and reading is the ultimate purpose," Huang told the Global Times.
    Huang Gang, director of the information technology department of Tianyige Museum, works on the digitization of ancient books. Photo: Courtesy of Tianyige Museum
Beyond tech boundaries
Deep in the storage vaults of Tianyige, tens of thousands of ancient volumes rest in silence. Some pages are curled and fragile; others bear faded script -the accumulated marks of centuries. Vulnerable to aging, wear and external damage, these precious paper relics can hardly sustain long-term repeated manual consultation, making digital preservation an indispensable way to inherit ancient book resources. 
Huang's daily work involves leading his team in the digitization of the library's entire collection of ancient books, paintings and cultural relics, bringing rare treasures out of the shadows and into public view.
AI now serves as a core auxiliary tool for ancient-book digitization and research. Huang's group initially built character-recognition frameworks based on optical-character-recognition technology. By cross-checking outputs across different models, ancient Chinese characters, damaged script and blurry handwriting.
According to Zhejiang Daily, by August 2025, the Tianyige's digital platform had added over 3,700 new digitized book sets, lifting its total digital holdings past 20,000 volumes. 
Digitization is never  a purely technical exercise;  in-depth scholarly expertise in ancient texts remains indispensable. Huang frequently collaborates with Zhao Xuteng, a museum librarian specializing in classical literature. Zhao is responsible for selecting which volumes to digitize, evaluating editions, studying content, and identifying works of significant academic or public value. While one team focuses on the technical execution, another digs deep into the textual substance, ensuring that cold digital capture remains faithful to the historical and bibliographic logic of the originals.
    A staff member of Tianyige Museum view digital resources of ancient documents in the museum's ancient book reading room, on August 18, 2026. Photo: Lin Xiaoyi/GT
Staying true to  reading
When he is not writing code, Huang keeps asking one fundamental question: What should technology actually do for people? "All technology ultimately serves the act of reading itself," he said. "It can never replace that."
With the rapid rise of large language models, demand for high-quality text corpora has surged. Overseas, some AI companies have reportedly purchased millions of printed books in bulk, scanned them and then shredded the originals. 
"Machines can efficiently compile documents, retrieve sources and generate explanatory notes. Real engagement with ancient texts, however, is far more than mechanical assembly of characters," Huang noted.
Both Huang and Zhao stressed that human beings sit at the heart of cultural inheritance. People absorb wisdom from old texts, draw on personal experience and scholarship to reflect, and produce new knowledge - an intellectual process no AI can fully replicate.
The Global Times learned that every digitization workflow at Tianyige follows strict closed-loop protocols: collection checkout logging, noncontact scanning, AI-powered quality checks, precise image stitching and compliant online publication. The full procedure minimizes physical wear on original artifacts.
"A book is, first and foremost, a cultural relic that carries a thousand-year legacy," Huang said. "Only secondarily is it a text to be read." That principle, he added, is shared by all guardians at Tianyige.
"Media change, technologies evolve, but the essence of reading has never changed," he stressed.
Today, drawing on its comprehensive digital collections, Tianyige hosts monthly exhibitions of rare texts and organizes family reading events where parents and children explore the classics together. For Huang and his colleagues, the most gratifying reward is watching more and more ordinary people develop a love for ancient reading and a deeper appreciation for the traditional Chinese culture.
In an era swept by artificial intelligence, Tianyige's guardians tend to fragile paper relics while leveraging modern technology, preserving the genuine power of reading. More than 450 years of scholarly heritage flows onward, passing between human fingertips and glowing digital screens.
。    最近，海外社交平台上火了一个词——“Chinamaxxing”，说的是越来越多外国年轻人开始迷上“中国式生活”。

这次，我在石家庄碰到了一位“真人版”。

他是一名来自法国的留学生。来中国前，他对这里的认识更多来自网络；真正住下来以后，板面配蒜、保温杯泡枸杞、跳广场舞、逛市场砍价……这些曾经新鲜甚至陌生的事，如今都成了他的日常。

从隔着屏幕“看中国”，到真正住下来“感受中国”，改变的不只是生活习惯，还有他认识中国的方式。

二 | 网络可以制造一个热词，但真正的中国，从来装不进一个词里。当越来越多外国年轻人走进来、住下来，一个更加真实、立体、全面的中国，也正在被世界看见。总策划：王丽平监　制：贾海丽策　划：刘　伟统　筹：武昊宇编　导：张艺萌 周亚彬文　字：张艺萌出　镜：周亚彬摄    像：周亚彬后　期：曾丝雨 周亚彬海报：韩建强特别鸣谢：师范大学。

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Published on:21:16:22